Tamarind Institute
founded 1960
They aimed to create a pool of master artisan-printers in the United States by training apprentices, to develop a group of American artists of diverse styles into masters of this medium, to habituate each artist and artisan to intimate collaboration so that each becomes responsive and stimulating to the other in the work situation encouraging both to experiment widely and extend the expressive potential of the medium, to stimulate new markets for the lithograph, to plan a format to guide the artisan in earning his living outside of subsidy or total dependence on the artist's pocket, and to restore the prestige of lithography by actually creating a collection of extraordinary prints.
When considerable progress toward the achievement of these goals had been made after ten years in Los Angeles, it was clear that the innovative programs developed at TLW were filling a void. With Wayne's resignation as director and the end of the third Ford Foundation grant, TLW needed a new home. TLW moved to Albuquerque, New Mexico, where it became Tamarind Institute, a division of the College of Fine Arts of the University of New Mexico, under the directorship of Clinton Adams who served in that capacity until 1985 when Marjorie Devon was appointed director.
Tamarind Institute continues its programs of education, research, and creative projects with partial funding from the university. Tamarind also depends heavily upon revenue from contract printing and the sale of lithographs it publishes to support the costs associated with its educational and artistic programs. Grants from a number of federal and philanthropic sources have funded the Institute's many special projects, including a variety of international programs which have been developed over the past decade.
The Tamarind Archives, housed in the Center for Southwest Research at Zimmerman Library at UNM, are another source of information about Tamarind Lithographic Workshop and Tamarind Institute. There are two series: Administrative Files, papers and correspondence relative to the establishment of the TLW in Los Angeles, continuing throughout the decade that the Workshop was located in Los Angeles (1960-70); and Research and Publications from TLW and TI, including research notes, manuscript material, and publications.
Text courtesy of Tamarind Institute http://tamarind.unm.edu
Person TypeInstitution
American painter and printmaker, 1937–2005
Mexican American artist and master muralist, born 1968
American installation artist and mixed-media artist, born 1957
