Edward Calvert
English painter and printmaker, 1799–1883
Rich in Arcadian imagery and chiaroscuro, Calvert's 11 miniature prints, produced between 1827 and 1831, are masterpieces of the medium and are among the most intense expressions of the Ancients' artistic sensibility. Like Palmer, he was inspired by Blake's illustrations to Thornton's edition of Virgil, but the figural content of Calvert's prints is more akin to his friend and fellow student George Richmond's interpretation of Blake than to Palmer's.
Unlike the other Shoreham artists, Calvert did not base his pastoral visions on religious poetry such as that of Milton or Bunyan, but found inspiration in Theocritus and other pagan idylls. Early states of his prints frequently incorporated Christian sentences apparently less out of conviction than a desire to refute charges of paganism, since he removed them from later states.
Calvert's pastoral vision faded but his interest in ancient Greece developed into a more classical sentiment. He abandoned printmaking and for the rest of his life painted mainly for pleasure, working in oil, watercolour and gouache. He took his subjects chiefly from pagan mythology and he visited Greece where he sketched prolifically. In later years Calvert became a recluse with a suitably picturesque appearance. (Tate)
Person TypeIndividual
Terms
British painter and printmaker, 1809–1896
American painter, printmaker, illustrator, 1847–1935
English painter, printmaker, and writer, 1821–1889
American sculptor and printmaker, 1922–2000
French sculptor, painter, and tapestry designer, 1861–1944
British painter, printmaker, and author, 1812–1888
English painter, printmaker, and art historian, 1875–1952
Italian archiect and printmaker, 1756–1810
Mexican American artist and master muralist, born 1968
Scottish painter and printmaker, 1859–1921
