Jacques Damour by Emile Zola, Englished by Wm. Foster Apthorp
Date1895
Artist
Ethel Reed
(American graphic artist, 1874–1912)
Illustration CitationAdvertising poster for Jacques Damour, by Emile Zola, translated by William Foster Apthorp (Boston: Copeland and Day, 1895)
MediumThree-color commercial lithograph
Dimensionssheet: 18 5/8 × 11 15/16 in. (47.3 × 30.3 cm)
Credit LineGift of Helen Farr Sloan, 1977
Object number1977-244
On View
Not on viewClassificationsPRINT
Label TextA native of Massachusetts, Ethel Reed briefly attended Cowles School of Art in Boston, and by the age of 19 had a studio on Boylston Street, participating in many group shows in the Boston area. In the mid-1890s, she joined two Boston-area publishers — Copeland and Day and Lamson, Wolffe and Co. — as a book illustrator and cover design artist. She also created advertising posters for the publishers' products, often inspired by the Art Nouveau style, as well as by the expanses of flat color characteristic of Japanese art. Reed gained international recognition for her work and by 1896 was living in London, invited to replace Aubrey Beardsley on the avant-garde journal The Yellow Book. Mysteriously, Reed and her work disappeared from public view in 1898. It is now believed that she suffered from illnesses and fell into poverty.Here she experiments with an impressionistic style. A man appears in the composition, a rarity for Reed. While she was not satified with this poster, she did return to the style in at least a few others.
